Founded in 1971, the ISELP– an institution for the study of visual arts – is a place where contemporary art is approached from different...Read more

Founded in 1971, the ISELP– an institution for the study of visual arts – is a place where contemporary art is approached from different angles which are mutually enriching. This plurality makes a singularity: our activities of demonstration, reflection, research, mediation and publishing all make up the richness of art today.
The ISELP benefits critical discourse concerning contemporary art by offering conferences, projections, discussions, meetings, readings, guided visits, cultural voyages and educational activities. Particular attention is given to the question of art in the public space, by the development of a think tank which leads reflection on the subject, encouraging meetings and offering the public a centre of reference.
Finally, the institute welcomes the main public documentation center of the Fédération Wallonie-Bruxelles for visual arts in the 20^th and 21^st centuries.

The MADmusée (which stands for the Musée d'Art Différencié) is a museum of Art Brut Contemporain (Contemporary Brut Art) situated in LiÃ...Read more

The MADmusée (which stands for the Musée d'Art Différencié) is a museum of Art Brut Contemporain (Contemporary Brut Art) situated in Liège (B). Its mission is the conservation and promotion of works produced by mentally handicapped artists, in the context of a workshop and possessing an INTERNATIONAL COLLECTION composed of 2,500 works. In addition to conservation, study of its collection and the planning of TEMPORARY EXHIBITIONS, the MADmusée is developing two other fields of specific activities: an EDUCATIONAL SERVICE which involves cultural mediation which brings together awareness-raising theories and practises, and a CENTRE OF DOCUMENTATION, regarding the works of Brut Art and its ramifications. The centre is additionally composed of a specific, complete centre dedicated to non-conventional architectural projects.

The Société d’Études Latines de Bruxelles, a non-profit organisation founded 11th July 1936, publishes, under the title "Latomus", a qu...Read more

The Société d’Études Latines de Bruxelles, a non-profit organisation founded 11th July 1936, publishes, under the title "Latomus", a quarterly review and a Collection of books which welcomes works on all of the spheres of Latin: texts, literature, history, institutions, archaeology, epigraphy, paleography, Latin humanism etc.

Bozon2x editions is a feast of unclassifiable novels, literary UFOs, and joyful frenzies at the crossroads of genres. A panel of explosive w...Read more

Bozon2x editions is a feast of unclassifiable novels, literary UFOs, and joyful frenzies at the crossroads of genres. A panel of explosive works for a public of curious pioneers. The publishing house was founded in March 2015 within the non-profit organisation CDM2047 and has created a shared and physical space dedicated to literature, the graphic arts and theatre. A place to meet and spread artistic and off-the-charts ideas, embodied by the Galerie du livre et de l’étrange théâtre. Bozon2x is also a website that offers an open blog for unique literary initiatives.

CIPA was founded in 1965. The main aim of CIPA was to study a language as an oral phenomenon, in order to promote teaching languages and mul...Read more

CIPA was founded in 1965. The main aim of CIPA was to study a language as an oral phenomenon, in order to promote teaching languages and multilingualism.
It’s especially since the 70s that CIPA’s area of activities has widened and diversified. Look, for example, at the organisation of several tens of intensive internships (one for several weeks), in Mons or abroad. These concern the teaching of languages, linguistic organisation, long-distance training, peace-keeping education, linguistic preparation for the international field, the welcoming and guidance of African and Asian researchers as well as the elaboration of teaching tools.

Saint-Bernard editions are concerned with spreading the Word to the largest number of souls, in order to contribute to the spirituality and ...Read more

Saint-Bernard editions are concerned with spreading the Word to the largest number of souls, in order to contribute to the spirituality and catechism for all. This is aptly summed up by: all to Jesus by Mary. All of the works, of a spiritual order, are taken on by the printer, which guarantees the reader a complete harmony between the published contents and the teachings of the Church. Its aim is to help each person to find the path of God, through meditation, prayer, and examples seen in the life of the Virgin Mary and the Saints. It’s why the blessed Virgin Mary is evoked in the Church under the titles: solicitor, helper, carer and mediator.

The Espace Nord collection gathers together more than 400 titles of French-language Belgian literary heritage. Characterised by its pocket f...Read more

The Espace Nord collection gathers together more than 400 titles of French-language Belgian literary heritage. Characterised by its pocket format, its accessible price and the presence of an educational part at the end of each volume, it is a reference in the world of scholars and also of the general public. Owned by the Fédération Wallonie-Bruxelles, the collection is managed by Les Impressions Nouvelles and Cairn.info.

On January 1st, 2001, CArCoB became an independent non-profit organisation. And since 1st January 2006, it has been contractually linked to ...Read more

On January 1st, 2001, CArCoB became an independent non-profit organisation. And since 1st January 2006, it has been contractually linked to the Communauté française de Belgique Wallonie-Bruxelles through a five-yearly agreement.

The Centre des Archives du communisme en Belgique (the Centre of the Archives of Communism in Belgium) works in collaboration with their Flemish equivalent, the Documentatie en Archief van de Communistische Beweging (DACOB).

Courgette Editions grew from an unconventional seed ! Since 2021, Courgette Editions has been cultivating printed, digital, and audio works...Read more

Courgette Editions grew from an unconventional seed !
Since 2021, Courgette Editions has been cultivating printed, digital, and audio works that transcend traditional literary norms. It offers intimate perspectives that become political, and introduces alternative viewpoints that challenge established conventions. The press provides space for unconventional imaginations and lived experiences, as well as themes that disrupt stereotypes and societal frameworks?through literature, poetry, art books, and educational tools.
The formats are multiple, but the commitments are constant. Each publication is conceived as an ethical editorial act: local printing, paper from sustainably managed forests, non-toxic inks. Every link in the production chain is fairly compensated. Overproduction of both works and prints is deliberately avoided with a strong emphasis on creating meaning.
In 2025, Courgette Editions signed the charter for the Responsible Use of Artificial Intelligence, an initiative led by the Belgian Francophone Book Interprofessional Association (PILEn). Publishing differently also means thinking differently.
Courgette Editions welcomes co-publishing, translation, and partnership opportunities with publishing houses that share its values of sustainability, inclusivity, and engaged creativity. Its authors are eager to see their work resonate across borders?on human, political, and poetic levels.
Finally, Courgette Editions is a member of the French-speaking Belgian Publishers Association and the Association of Singular Publishers. It supports the International Alliance of Independent Publishers. It is also recognized by the Federation Wallonia-Brussels.

Ker Éditions principally publishes novels aimed at young people (Marie-Aude Murail, Yak Rivais, Frank Andriat, Michel Honaker…) and essay...Read more

Ker Éditions principally publishes novels aimed at young people (Marie-Aude Murail, Yak Rivais, Frank Andriat, Michel Honaker…) and essays on human sciences (teaching, medicine…). In both cases, its ambition is to participate in the construction of a better world as much by means of fiction as by means of the voices of visionnaries and first-hand witnesses.